it seems like hawkinson has drawn his inspiration from the lush crackling whispering of the woods. akiko seems to see it the same way and with her remix makes a compelling overall package of the second 12 inch by phunkit. >unterholz< is a crisp driving, deep techno roller with playful percussion elements, subtle functionally-held choral dubs and a bass line drily humming to itself. >stillleben< crackles bone-dry and elegantly at the same time, the light melodic phrases form a great contrast to the massive wall of bass. akiko is tinkering a little organic dust monster out of >stillleben<. definitely superb how she is breathing her principle of life into the whole theme, so that you almost wish the track would never end.

systematic welcomes the polish producer duo pol_on from warsaw who are comprised of kacper bogacz and michal piotrowski. after having released several cool 12 inches on freerange, mothership and get physical the first collabo with systematic recordings was a remix they have prepared for spirit catcher. the a side track >were lost< sounds like an energetic mutation of aphex twin after having played too much with powerful house grooves and >heavy rain< on the flip side sounds like a hybrid of old imagination e-piano samples paired with deep house chords in combination with slightly delayed but ass kickin soul grooves. pretty crazy and unpredctable but hey, systematic is kind of the same, isnt it?

krasimir gyurov (vizar) has dealt with electronic music since 2000. his style is influenced by nature with hypnotic deep pads and mystic drones. in 2004 he made a contact with underground a netlabel scene and several years later he released his first eps for spanish netlabels offaudio and antiritmo. from 2008 he played on the biggest underground techno festival in his country bulgaria - artmospheric festival, where the guests were donato dozzy, brando lupi, dave twomey. ness became interested in electronic music in the late 90s. in 2004 he started djing, taking inspiration from various genres going from trance to pure experimentation. the interest in music led him to attend various courses and audio engineer for some years and the conservatory of his hometown. the need to express his emotions through music led him to experiment and research in recent years that better reflect his sound.since 2009 he founded his own label mono records with his friend bettosun, and releases music in labels such as prologue, sonata and varianz. the experience gained over the years leads to define his dj sets that are characterized by a strong array of techno and house at the same time.

julia porter, best known as miss jools, is the native londoner who cut her teeth and carved her niche in the uk capital, before making mobilee her musical home. her previous collaborative production outfit with audiofly sleeper thief brought her to wider attention in 2006 and then in 2008 she struck out on her own, undertaking solo work and discovering a penchant for slinky, late-night dancefloor sounds with releases such as >la luna< and >que me levante<, proving herself a diverse talent both in the dj booth and in the studio. after a short break, her new release on mobilee >walk away< brings her special musical flavour back to the floor. title track >walk away< it as much minimal and trippy, as it is dreamy and melodic. the same can be said for >whats going on< but this time a powerful vocal is layered over the freaky back drop. meanwhile on the b side >feel you< will keep you spinning. youll definitely find yourself dancing to one of these tracks in the early hours of the morning soon, if you are not playing them yourself…..enjoy!

edition without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

dÄng! the second and final part of mod.civils funktionen ep grabs you and will never let you go again. attached to this record youll also find the second part of that silkscreened poster that will do the same with the wall in your room

berghains marcel fengler presents the fifth installment in the clubs expanding mix series. marcel fengler has proved filling floors doesnt have to be about ticking boxes. the versatile mix is a perfect example of the type of dexterity, sensitivity and scope he possesses as a dj. these same attributes can be found in the work of the producers featured on this 12 sampler. a similarly dedicated dj and producer, peter van hoesens incredible axis mundi is a real modern opus. hoesens rich synth warblings and deep bass elements could raise hairs youd never even discovered before... talented duo reagenz aka move d and jonah sharp have had a productive year, and their exclusive track, the labyrinth, proves just that. leading us into a psychedelic dance of funk, dub and abstraction, this slow burning jam fits perfectly in the later stages of fenglers mix. the mysterious vril is behind the dirty, dusty releases appearing on the staub series from geigling. uv follows that convention in a pounding, searing filtered techno tool that explores many zones over its powerful 10 minute reign

first 500 pieces only in limited printed sleeve - first come first served. second edition repress will ship at the same time without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

the first release on insist music presents some of the rising stars of the israelian electronic music scene: lonya koval in collaboration with audio junkies. the main track >face lift< is a piece of uplifting tech house using a sequencer line that is growing and growing until the end. the same track is reworked by patrick kunkel and dirk redmer - keeping the flow of the original and introducing some more house elements to the original. >fetish< also comes in two versions: the audio junkies mix, which is part of the vinyl, makes use of a hypnotic melody which makes the sun shine everywhere even in the darkest clubs. the lonya mix of the same track focuses even more on detroit style melancholic elements

slaming deep 4 track ep

the highly anticipated squeaky lobster ep has been worth every second of the wait. in terms of sample / synth selection, song structure and sound quality, no expense has been spared. hi-fi synthetic drums intertwine with lo-fi sampled kicks & snares whilst heavy stretched out synth bass lines are topped with bollywood-esque string samples, 80s guitar bridges & plenty of other orchestral mayhem. the lush, thick melodic layers mount up into a frequently spine-tingling whole whilst the rhythm section, although outside the box, does by no means neglect the headnod factor. the incredible feat here is that although no 8 bars are quite the same as the next, a sense of unity is preserved within each genre-defying track, making it the stuff of epic journeys. you may start your listening experience in front of your turntable, staring at the record spinning, but you will end up somewhere quite different, squeaky lobster has made sure of that. as man from phone number 770021 would say: >this is $50.000. good luck.<

repress! really nice 45 from the same people behind the maxmillion dunbar project. on the a side theres a stripped down cut with electronic bassline (boogie vision), the flip goes warm and deep, also with big, synthie bassline and a tweaked out synth hook. if you are into dam funk for example, then check this out for sure!

toronto based noah pred brings back the funk with his clever brand of booty shakin swung out techno house. noahs style has gone through many stages of evolution of the years having recorded for a ton of different labels over the years from consigned, intrinsic, morris audio to his own imprint called thoughtless. this collection of tracks is by far is grooviest work to date definitely fitting bulls eye into the sound palette of cynosure recordings. lesser lights, remember the embers and all day long were all meant to fit together all having the same elements of what makes a great tech house ep. funky swinging drums, hip flexin bass and a blinding lead hook. noah achieves this with cunning style and brings the minimal funk back where it belongs …

perfect for fans of ricardo villalobos / perlon !!! just when we thought that thomas melchior and peter frank adshead had hung up their soul capsule boots and settled on sporadic solo work, they come belting back with two releases in a matter of months on peter fords trelik label. >deep dawn<, up first, is typically soul capsule. dark, twisted techno thats made for dark spaces and dark minds. sporting low, reverbed basslines that throb along to breathy and indecipherable vocals, >deep dawn< and <new day dawn< project the same eyes closed, foot stomping attack on their listeners as each other

>the bay< is the electro quartets third single from the latest release >the english riviera<, following the release of both >she wants< and >the look<. the third studio release from the electronic stars >the english riviera< was released last april, and has since received a mass of critical acclaim from all corners of the industry. popular websites such as nme gave the latest release a rating of 9/10, with drowned in sound offering the same rating. now, fresh back from their recently sold out uk tour, the band are preparing to release the third single from the critically acclaimed album in >the bay<. defined as being one of the highlights taken from a fantastic album, >the bay< would be well placed as a future summer dancefloor classic.

it took a while but we finally got this great remix ep together from catz n dogz escape from zoo album. tanner ross flexes his e-funk biceps and shows us that just a little bit goes a long way with huge bass and sparse vox. this remix goes against the grain the right way, showing restraint and power at the same time. the main man of detroit, carl craig also delivers a sparse and beautiful mix, 1st giving us a lesson in how to properly tweak the space echo and then bringing it back with classic strings and subs. both mixes are getting major support from all across the globe from sebo k to troy pierce to ewan pearson to martyn to l-vis 1990 to james zabiela - overall probably the best feedback we had in a while on a record to be honest.. all great for our kids at the detroit youth foundation where the mothership label donates 100% of profits! also, special thanks to matt colton at air studios, london for donating a mastering session for free to cut this record and support our school.

comes with the same track on both sides.

the latest immerse cut sees the label tapping once again into the fertile waters of haunting, leftfield 4/4, showcasing the hitherto unknown talents of el kid. the eagle-eared out there may have picked up on the young echo radio show, which features sam kidel (to his folks) alongside west-country compatriots kahn, vessel and zhou showcasing their new tracks and mixes. for most though, this will be the first they hear of the bristol-born, brighton-based producer. on both tracks the synthetic sheen of detroit techno gets refigured into an almost downtempo kind of house music. the melody is king, whatever sonic texture it might manifest in, leaving you with ample layers to get engrossed in. that same quintessential yearning quality ensures that these first offerings from el kid fit perfectly into the immerse canon. it will shake the right kind of dancefloor, but it will also tug at the right kind of heart-strings as well.

old chicago house heads trade mixes with ambient star. shifty sciences take on bvdubs track is euphoric dubbed out chordy house. bvdub does a very house version of shifty sciences track, which is more funky than you wouldd expect. limited hand-stamped release.

hrdvsion may not be the first act we were actually checking out for an irr output but we are not irritated that we found it. with i can t exist our canadian friend successfully strikes the balance between deep housyness and accelerated departure. if you turn the piece of plastic around you find a more typical hrdvsion track celebrating the same magical atmosphere. last but definitely not least the b2 is a fusion-remix by ada that insists on being played in the sunshine.

such an intense, variegated, and singularly saccharin sound can only come from the mind of someone whos in love with life and music. its what puppy love sounds like for our generation. following the paul woolford remix of t. williams and terri walkers heartbeat comes local action 006, the first 12inch release by an amazing new artist from manchester, uk, called damu. after this, hes got material penciled in for blackdowns keysound label and more. the title track, a stand-out from girl units xlr8r podcast last year, is one of the best tunes weve put out yet, full of colour with just the right amount of lushness to it. while a lot of uk dance music right now seems to use colourful synths in an unimaginative way, damus drip, glow and fizz at every turn in the same way that ill blu or funkystepz do. listening to mermaids like diving head-first into a lagoon. after that youve got three more killers: the iron assault of >beat of zen< and the few-more-intense >sequinny<, plus a ‘beat of zen remix by chicago juke titans dj rashad and dj earl. early support comes from lv, girl unit, sinden, brodinski, starkey and more

this time splendid lo-fi come up with a little and powerful v/a: rio padice is up to skies right now, nothing can be high enough to stretch out his hands and grab it. with vixen he has done his finest work and brings us deep and rough sounding analog and mature simplicity. a sound like a fox roaming thru the dark forest. a pure 909-sound meets a butter packed bassline. this is ment to be very classic stuff. a concept also steinwiese has arranged perfectly. a lusty and classy piece of very crackling music for the vinyl. on black bird a crispy bass and a strong chord are taking us on a ride and show the same forest from above. this one is definitely for the nighttime

the focus energy / motive order twelve inch takes seamss lush electronica in a new direction. having captured the essence of the berlin summertime with the tourist ep, seams returns with and altogether more dancefloor orientated release. driven by a desire to make audiences at his live shows dance, a much more propulsive sound manifests itself across the two tracks, both built from the same ingredients but taking them in two very different directions. focus energys minimal percussion and vocal stabs pushes seamss sound further towards the techno production hinted at in hung markets, whereas motive order rearranges focus energys parts into a much more dense wall of sound, filled with arpeggios and noise, evoking the sound of the border community fold.

leaving in their wake a trail of mass seduction, the wolf + lamb crew are back from their recent worldwide dj kicks tour, bestowing two of the sonic jewels that lit up those clubs, rooftops and basements. main players gadi mizrahi, soul claps eli goldstein and greg paulus of no regular play, impart the w + l effect with the >lucky paul remixes< courtesy of somethinksounds. while gadi mizrahi & zev eisenberg of wolf + lamb are in no small part responsible for the sexy slo-mo revolution in rnb and disco inltrated house music, they cannot be accused of languishing in the hype of their own movement or direction in sound. instead, the label is backing a seemingly endless stream of talent in north america and beyond, consistently unearthing and nurturing artists that share the same ethos and intrinsic approach to creating timeless music that is not built to rush, and dissipate but drive into your soul and set up home there. here, the new collaborative case in point is berlin resident and new zealand native lucky paul

shack music celebrates its 5 year anniversary with a series of previously deleted or unreleased material and existing catalogue from the vaults with re-edits and remixes for 2011.on this limited 12 inch sampler shack music highlights its success in unearthing rocco of rodamaal fame as a solo artist with his debut release >heartbeat< originally released in 2006 remastered for 2011. a true deep house gem that has found that perfect balance between deep house and the origins of tech house. the 2nd track of the ep features two of the most sought after producers of recent years in demarkus lewis and mr v of sole channel music. the dubstrumental mix of >untitled love affair< sees for the first time the light of day on wax that has seen support from djs as diverse as dinky (musica libre, cocoon), sascha dive to dennis ferrer. rounding off the package on the flip comes from label head soy mustafa with an exclusive appearance to the 5 year comp and this sampler entitled >dub state of mind<. this b-side track is a straight up hidden gem relentless in drums both dubby and groovy with an incessant synth line that automates in and out of the groove thats almost subtle but infectious at the same time…a proper deep summer tune!

the debut album from adele on vinyl lp.

nice price deal !!! nice price deal !!! nice price deal !!! upps he did it again! rock n roll comes back to stock5!! or is it heavy metal? we dont know but its fat and its from ahmet sisman. but instead of bleeding out the same ideas again and again, ahmet presents a totally new side of his soul. his beat gains a lot of power and presence, fewer sounds do more without losing the typical sisman atmospheres! the young artist from essen knows nowadays how to interpret and manipulate tendencies to his very own style! and as usual great work and for sure one of the seasons big surprises

open air 2011 !!! this is definitely a serious movie, but in this case quite large. the swiss cowboy mario zar returns with his second ep on leutral the soundtrack to the movie the ocean plant. give the way he has managed to human emotions amid societal cold again, has something very enchanting. the very first track is the title theme from the film of the same. open air heartbreaking mood with an incredible catchy tune. finally one has the feeling again - that it is - the ultimate track - summer sun sunshine - large movies 2011 - 30 degree in the shade - and then this track. martin brunner has made a realistic study and there is the typical brunner sound with 3d effects and full speed ahead. in the film, two water plants are fighting for a piece of land on the ocean floor. they also use modified shiruken. the special feature is the integrated facebook app that posts the current status of the strikes. but otherwise the film is bursting with new-fashioned bio-weapons. a high-level cold saw turns the two water plants and over again in his way. at the end of the film, the two water plants enthusiasts. what they have experienced before you can watch and listen in this awesome movie. now playing in your cinema worldwide!

from his roots in early italo disco , a sound that inspired him since his childhood, this mysterious producer comes out with a genuine gem of pure balearic and disco mood, among the use of real hardware and various instruments creating this classic extended disco version that sounds in an actual disco edit style, even if the song is brand new. leading the voice is the huge, a magical voice and multi instrumentalist from italy: the combo between the two is explosive, mellow and at the same time light and pure. then the remix by melchior sultana, famous for his collaboration with owen jay on jus eds label (underground quality), creates a magical and elegant slow tempo version, chilled and funk at the same time, with a totaly new mood and some real rhodes and guitar played and sequenced in an akai mpc sampler. last the house electro disco dont play minimal, play minigolf, that follows a hypnotic mood bass synth, accomplished with ethereal chords and a super funky trumpet, sampled directly from will powers masterpiece of the early 80s…. ta ta taaa

first release, and first vinyl for the newborn label oasi lab that make his enter in the labels world with 2 original mix + 2 remix produced by famous artists: vito cacciapaglia aka sinc, international producer renowned for its outputs on labels like bla bla records, viva , material and mr. bizz classy producers, famous thanks to releases produced on material, tuning spork and collaborations with mihalis safras and the remix for dj chus ... the first release move the groove original mix sees duo andrea loche & corrado zonnedda up against sonorities like funk with modern tech house taste and breaks thrilling counterattack perfect for the most exigent dancefloor, moove the groove remix sees mr.bizz duo making a pure dynamite techno remix with as common denominator the dance floor. for the second original mix oslo is the same, it is intended to burning the track with interweaving of voices and chords in the breaks that are becoming more pungent andexplosive! in the same side we can find the second remix by vito cacciapaglia that gives us an elegant rhythm track with references to cosmic music using sinth too, perfect for dance floor

proper heat slid onto the nangsphere last year with their nifty >we are ready< ep. they certainly were… good reception all around and some fine plaudits. fast forward on 6 months and we are really pleased that the follow up >move ep< hits the streets. proper heat are from lithuania and are made up of martin virgin, saxtone and some fine vocals from karolis ramoska. laid-back, accessible disco house is the order of the day with this ep. we have two finely voiced tracks. dulcet tones and catchy songs abound with karolis doing a fine job in the voice department. lead track >the move” is mid tempo groover. mixes from nang label new-long-found-friend james bright and label stalwart (and supertop photographer) ichisan… you are always a subject when you are in the same room as this guy…. snap snap snap. james grooves it up with tight synthy bass and ichisan gets electronic and rolling. you can check out the video for >the move< on youtube and our home page too. the equally able >get ready< also makes a strerling appearance on the ep. another fine disco groovoid song. all in all the package overflows with extra dubs and instrumentals. bountiful disco abounds.

with its corroded, live recorded sound and relentless machinedrum, le coq is a trip to the shadowy, not to say drunk side of dance music. as an acid statement this track is right on the money without ever submitting to any ground rules of vintage acid. truly envelope-pushing electronic wizardry with a dark edge. stripped down to a bare minimum, the flip side hollywood goblin evokes the linear pulse of early body music, while the lead synthesizer adds a touch of cabaret voltairesque arpeggio magic. universal rejection was established in stockholm, sweden in 2011. the label is the collective effort of a closed circle of friends sharing the vision of a parallel universe trough raw, down to the core electronic dancemusic. every new release is a code. it represents a piece of what universal rejection is, and proves that the label will be in constant flux while at the same time always remaining true to itself.

supported by luciano, claude vonstroke, alexi delano, ekkohaus, shinedoe, estroe. once more, a newcomer is going to be introduced on this tonkind release. its samuel fach, better known as laufmasche, who mainly was producing and remixing for the techno genre, is now getting more into a fresh-funky house sound. the change of residence from the mid-german student city giesen to the pulsating captile berlin, suppose to give him a fresh creative spring time. simple pleasure becomes his new calling card on this new project. this up-coming tracks are one after the other an absolute ear catcher and gives you an easy access to this open but already significant individuel sound. with an special touch and in a simple way, samuel fach combines soulful keys and lead sounds with an classic repetitive house-beat, without sounding mainstream or retro. he mediates a feeling of freshness and warmth, either with peak time runners like murter or discore or the expanding smotha work on the show and simple pleasure. all tracks, you will hear instantly, are coming from the same citchen, where a young and creative chef is cooking amazing stuff with very special flavour. one thing for sure... more choices of samuels menus will succeed.

dubline records unveils their next release by the neurodub duo that runs the dubline camp - melamin & wicked sway. the theory behind this production outfit is balance. neurologically the human brain percieves information to be incomplete if it is not symmetrical. in a practice of endless work ethic the sound design interfaces perfected beats that have an even balance of elements. the process in which people follow music as a path is implied in the waking of the conscious mind while in it spirit. the thought process of their approach to neuro is always written for the peoples natural instinct to follow obvious paths of information that can be used to direct the appliance of listening as a being of light tunes in and drops out the appropriate information. thus by drawing attention to the information the focus remains to show the difference between the foreground and background. a focal point is intended to encourage the listener to always furthur the exploration of the information presented. using elements that are different to show that they are clearly different components of presented information and yet both also with similarity to those of the same reference. its simply easier for ones step towards enlightenment in the experience of being human to realize the thought process and recognize the ego, reminding at the expense of the thinking brain that its cheaper to die.

the ep opens with >hypnotic bass<, a track with a very groovy gnaoua rythm. the sound of the guembri gives the production a very warm sensation. next up is >deep medina<, the title track. a real journey, the vocals are strong while sidi mohammeds lute elicits shivers. the melody manages to sound traditional while modern at the same time. >for hou!!!<, the closing track, philip bader perfectly works the acoustic samples, resulting in a characteristically berlin minimal sound. the kick and the bass are very heavy.

with his new compilation, >night & day<, the man who was proclaimed the prince of lounge when he arrived on the scene to rave reviews in 1999 finally shows us the two sides to his talent. everyone, without exception, considers stephane pompougnac to be the musical image of a certain idea of french luxury that is represented by such brands as chanel and dom perignon! with 5 platinum and 14 gold discs, along with 5 million album sales worldwide, he made his mark on peoples minds and ears with a collection recorded exclusively for the hotel costes almost 14 years ago. still, on this double album figures productions from stephane pompougnac that illustrates the remarkable scope of his desires. >take her by the hand< featuring lady linn on the night cd, is at the same time catchy and clubby. jeremy hills, a young french dj that have already remixed songs for mylène farmer, laurent wolf… turn the track into a dancefloor killer!

parallel is the bold debut album from rising star dosem. the catalan producer behind such hits as >silent drop< and the sexy smash >beach kisses< unveils his futuristic vision on a double album comprised of >dosem< and >sendo<, that take listeners from gironas sultry shores to the throbbing heart of the worlds best dancefloors

and here it is: the second vinyl ep of niko schwinds album >good morning midnight<. it features some of the unique tracks that niko has created together with some of berlins hottest production talents. on the a side are two tracks that feature the clicky tech-house boys that are channel x, where things kick off with >back from the bar<. it sounds as the title suggests: a little wobbly, a little drunk, a little crazy, but also pretty magic. quite clearly this is an homage to one of berlins not-to-be-forgotten clubs that is unfortunately history now. but things continue on here at least with >dont turn the lights on<, a more straightforward dancefloor track, with a trumpet as the main protagonist. this is one of those tracks that keeps leading up to a real arms-in-the-air-moment if it wasn’t so damn housy at the same time. on the flip the magical connection between niko and label daddy oliver koletzki can be heard on >master of ceremony<, a chopped-up house track with epic dimensions. when things get to the piano breakdown, they get very musical and colossal before dropping back into a great house track. the stark contrast between the piano melody and the groove on this really make it. last but not least then, the original album opener >good morning< that features the singing of fran. it works great as a great album opener, but also perfectly as a slower and more thoughtful addition to a great ep

already support from roberto rodriguez, scope, nathan g, fish go deep, giom, joshua heath, grant nelson... slamming deep house ep from sonny on large! fresh off of his debut at this years get large miami wmc party, the assurgent sonny fodera releases his first ep with large music. whether you are a deep house loyalist or firmly committed to straight jackin house, if you are a dj then your cd wallet holds at least one of sonnys tunes. he has been breathlessly at work establishing his production credentials with top tier labels such as salted, guest house, drop music, and amenti. at the same time, sonny has been honing his dj skills at top clubs across the world as well as in his native australia. we are thrilled to welcome sonny to the large family. the cold cuts ep consists of 4 choice tracks...each one possessing a unique flavor and vibe. desire is a positive house vocal while keep me going is a peak-time energy blast. work and all for love showcase sonnys more underground deep house colors while retaining his trademark energy and beats. enjoy!

lonely c & baby prince is a new partnering fusing one half of soul clap with one half of wolf + lamb in a new strain to their creative collective. made during the same sessions as the addictive dj kicks compilation from wolf + lamb vs soul clap, created during the artists relocation to miami during late 2010, gadi mizrahi (wolf + lamb / double standard) and charles levine (soul clap) produce together for the rst time under the alias lonely c & baby prince. with strains of funk, soul, disco and contemporary electronic music running through its vein, lonely c & baby prince leave you spellbound with this collection of tracks. four warm and enthralling productions make up >not so lonely ep< from this formidable duo

kreuzberg is the project of drummer and composer andreas peters and dj jens strüver (borngräber & strüver, j.r. plankton). in their childhood they played in the same football club somewhere in west germany and met again 20 years later in kreuzberg / berlin. they realized that in their lives music always has been playing an important role and as their interests in musical styles where highly compatible they created the project kreuzberg. the tracks are based on drumset, vibraphone (bowed), other acoustic material comes from turntables, the bass is the only synthetic element of the record. the music is influenced by dub, club music, minimal music and conny-plank-krautrock

kieren dickins aka dels is a new type of rapper (which is another way of saying that heãs more than just a rapper). applying the kind of attention to detail, micro-management and macro-vision which jay-z used to build a business empire, dels makes art. popular art mind you, but art all the same, an album of emotional peaks, musical innovation and surreal, brilliant lyrics, held together by such a unique, such a strong vision that it sounds almost silly to suggest itãs just a debut. already causing a stir with the tasters ¶shapeshift÷ and ¶trumpalump÷ (and the videos he masterminded for them), everything is now ready to show how these pieces fit into the bigger picture.

la based producer matthewdavid (leaving records) with his debut album on the brainfeeder label by flying lotus. limited edition vinyl with free download code.

3.1 , this is a completely different version to the marbled wax, effectively a new release - original version is deleted . wonderful lp re-versions from function and sandwell district.

we are presenting the original theme track for beautiful granville records in its original arrangement as a collectors piece. the track itself is to represent the essence of the beautiful place that is called downtown granville, from its moody energy to the mode and pace of the people who make up this small neck of the woods in chicago. as the track is titled beautiful granville, it is the original recording that sprung to mind and the very track that started the record labels name, mood and energy. limited collectors item on clear blue vinyl, same track on both sides!

>sooner or later< by tom clark and martin eyerer is a classy and solid club tune. both masterminds are offering their own >sooner or later< interpretation on this release. tom clarks mix shows a rough and full body, clear structures and is highly seductive. martin eyerers mix is softer with a touch of minimalistic retro-chic. as both interpretations enjoy the same musical introduction the personality of each stands out even stronger making it a treat to the listeners ears. the daniel dreier & dale remix is an intense opposite to the original versions a techno-esque and sparkly ear feast, while the adrian martin & klangwerk remix has a softer approach pairing addictive beats to an ecstasized bass line. all in all >sooner or later< is a 4 track release featuring 4 outstanding visions of the moment in-between sooner or later, a vision for each and every one of us.

started in 2005 by gorge and nick curly in mannheim, 8bit records is celebrating its 5th birthday with a special compilation including more than 30 artists and only exclusive tracks to be released only within this big package. beside the hyped and sometimes boring minimal trend 8bit was one of the first imprints combining minimal deep elements with danceable house grooves. in a short time lots of turntablists and producers all over the world payed attention to their releases and the >sound of mannheim< was born. a lot of young and fresh artists like johnny d, ray okpara, veitengruber earned international attention and respect same as already respected artists like oxia, audiofly, marcin czubala or the timewriter find a new home for their music....

the soft rocks camp launches a newly minted label in the shape of kinfolk, whose intention is to showcase rising talent and fully indulge the experimental. the first release from maurice & charles smacks it right in the spot - you may have enjoyed the loose vocal acid throb of a side hugger moroder in milan on sir wevver s recent 6 mix show. there isn t a recommendation that comes any higher than that! on the flip, mo & charlie indulge their floaty balearic side with underneath the universe which also contains a pleasant undercurrent of bubbling acid. the same track is twisted inside out and taken to the new forest by the soft rocks crew themselves on an expansive dubbed out refix notable for some rather tasty metallic 808 hits